Belgian pop star Kim Kay recently appeared on Live on Tape with Pete Trabucco for an intimate conversation about a life that has taken her from international pop success through unimaginable personal challenges—and ultimately to an extraordinary musical comeback. Kay first captured attention at just 20 years old when “Lilali” became a major European hit,
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Sonna Rele, Natalie Shay and Alexa Kate Join a Worldwide Celebration of Music, Creators and the Future of Artist-to-Fan Connection “Streaming Reimagined” goes global tonight as FENIX360 brings together an international lineup of music artists and digital creators for a worldwide showcase led by social media powerhouse McKenzi Brooke and three-time Grammy Award-winning composer Ricky Kej. Brooke and Kej
Tony Orlando to Receive the Icon Award at the 12th Annual Josie Music Awards, September 20 at the Grand Ole Opry House There are entertainers, and then there are institutions. Tony Orlando has spent more than six decades proving he is the latter — a voice, a presence, and a spirit so woven into American
There are entertainers whose songs become hits, and then there are those rare artists whose songs become part of people’s lives. Tony Orlando belongs to the latter. On September 20, 2026, the legendary singer, entertainer and storyteller will step into the Grand Ole Opry House in Nashville to receive the Icon Award at the 12th
Few artists carry as many titles at once as Ray Ray Star. He is an internationally touring guitarist who has built a career commanding stages around the world, a record producer and executive producer with credits behind the scenes as well as in front of the mic, and the Director of Marketing & Promotions for
There’s something almost perverse about naming a song after seasonal misery, and to their credit, Ruby & Sasha commit to that discomfort rather than softening it into something more palatable. What strikes me most isn’t the topic; allergies as alienation are a clever enough conceit, but how stubbornly the track resists resolution. Whether that’s a
Tuesday July 14th, the House of Representatives passed a bill to let states choose Daylight Saving Time as a permanent, year-round thing. It’s called the Sunshine Protection Act. The bill passed by an astonishing 308 to 117. Now it has to go to the Senate and then to the president. The president has already let
Michael Dulin’s latest single, “On The Rocks,” is a reminder that great musicianship rarely needs to shout to make an impression. Instead of relying on flashy solos or overproduced arrangements, Dulin delivers a performance rooted in confidence, patience, and exceptional taste. Every note sounds intentional, allowing the composition to unfold naturally instead of forcing dramatic
Singer, Actress, and Television Host Explores the Influence of Growing Up in America’s Modern Architecture Capital Award-winning vocalist, actress, producer, and television host Quinn Lemley is featured as a special guest on the nationally acclaimed USModernist Radio, premiering Monday, July 13, at 3:00 AM ETon Apple Podcasts, Spotify, Pandora, and all major podcast platforms. Hosted
Danny Burns has built his reputation on finding the common ground between Irish folk traditions and American roots music, and with his new single “Fisherman’s Blues,” he taps directly into both sides of that musical heritage. The result is a stirring, high-energy bluegrass interpretation of a beloved song that feels simultaneously timeless and refreshingly current.
Ambassador Dr. Monica Sanchez, Founder and CEO of the Miss CARICOM International Foundation, recently joined renowned broadcaster, futurist, and media innovator Andrew Eborn on The Andrew Eborn Show for an engaging and inspiring conversation that highlighted leadership, cultural empowerment, humanitarian service, and the importance of creating opportunities for future generations. The interview showcased Dr. Sanchez’s
There’s a particular kind of music that demands you surrender to it rather than simply press play. Embers, the latest release from New York-based guitarist and composer Ian C. Bouras, is exactly that kind of music. Clocking in at just over 50 minutes and presented as a single, unbroken piece of work; it refuses to be
In an era when much of mainstream country music seems determined to either chase pop trends or romanticize small-town clichés, Jamie Richards continues to operate in a different lane altogether. His new single, “My Goings, What’s Coming,” the latest preview from his forthcoming album Blue Rock Sessions, doesn’t announce itself with stadium-sized hooks or larger-than-life swagger.
“It will come to be said one-quarter of humankind stood unspeaking and immobile upon the Chairman’s three minutes of silence. But that was later, and this is now. The third heart attack in the span of a year finishes the job. Defiant, he smokes until his body disallows anything but autonomic function. It hurts, and
With “Summer Before The Fall,” Bee Smith and Chris Chitsey deliver the kind of emotionally grounded country duet that feels increasingly rare in a streaming era dominated by disposable hooks and algorithm-chasing production. Built around classic storytelling, believable chemistry, and a slow-burning emotional premise, the single manages to sound both timeless and contemporary without trying
Longevity in rock music usually comes with one of two outcomes: creative exhaustion or comfortable repetition. GO TIME! somehow avoid both on 11, an album that sounds neither burned out nor content to coast on habit. Instead, the Chicago veterans deliver a record full of sharp-edged power pop, scrappy garage-rock attitude, and the easy confidence
There are questions most people avoid asking out loud—and then there is Howard Bloom, who runs straight toward them. Not to provoke, but to understand. Not to believe blindly, but to decode. Among his most daring intellectual pursuits lies one of humanity’s oldest and most controversial mysteries: the nature of God. But Bloom doesn’t approach
Los Angeles, CA – April 2026 Today’s artists are forced to juggle multiple platforms just to function. One for distribution, another for sync licensing, and another for Content ID management. Fees stack up. Data is fragmented. And the people actually making the music are left managing a system that feels designed to slow them down.
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