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Lingering string harmonies and an effervescent tempo that mercilessly chases after an evasive tone are only a slice of what folk fans can expect out of “Nightbird,” the all-new single from none other than the Wilson Banjo Co. A smoking percussive swing frames WBC’ emotive harmonies, which ascend skyward towards the heavens around every twist

There’s a bit of a crisis going on in bluegrass music right now. For the first time in a century, the amount of talented, radio-worthy recordings is outnumbering the audience’s capacity for entertainment consumption. Even with this being the case, some players like Billy Gilman are standing out thanks to originality and a sense of

We are joined by Brad Sevy to chat about his music and future in the music industry! We’re excited to learn more about you! Let’s dive right in. Can you tell us about the inspiration behind your latest release? What motivated you to create this particular piece of art? The love for God and wanting to get the

Thank you for joining us today! We are joined by Jake Walters to chat about his music and future in the music industry! We’re excited to learn more about you! Let’s dive right in. Can you tell us about the inspiration behind your latest release? What motivated you to create this particular piece of art? First off, thank

Elizabeth Troylynn proves herself an everyday hero. She’s not angry, she’s not bitter – and in some ways, she might have had every right to be. Instead, she has embraced a non-denominational form of Christianity as her guide and moral arbitor, enlisted said tenets and principles to inform the worldview of her new book, and

In his latest single, the talented singer/songwriter Gene O. offers us a taste of introspection that ironically just about anybody can get into this fall. Titled “You’re the One for Me,” the track features some seriously smoldering vocals – perhaps I’ve personally heard from Gene thus far in his career – and though he isn’t

Woody Russell’s new EP This is Son Solitaire reaffirms his growing standing as one of modern popular music’s most idiosyncratic writers and performers. The twists and turns layered throughout the arrangements of the EP’s three songs are inexhaustible and glow with hearty creative energies. Self-produced, This is Son Solitaire has production attributes that reach out and grab the audience

We are joined by Brad Sevy to chat about his music and future in the music industry! We’re excited to learn more about you! Let’s dive right in! Great, good to be here. Can you tell us about the inspiration behind your latest release? What motivated you to create this particular piece of art? The love for

Harry Hochman’s “Inside Out” is a track that’s literally been years in the making. Hochman pursued a different career path for the majority of his life before turning toward music in full and listeners knowledgeable about this will get the feeling of a man unleashed listening to this single. It doesn’t shoot storming out of

ViennaCC’s “When the Cats Come Out” is a delectable pop single from the Austrian singer/songwriter and performer that rates among his best standalone releases yet. He pulls the single from his new EP collection Screenshots and it’s easy to hear why he’s chosen to lead off with this cut. It has an invigorating mid-tempo pace

LVCRFT’s V wouldn’t scarce a housefly. Make no mistake, however – it isn’t trying to. There’s a nudge and wink throughout the song’s entirety that keeps the track honest. It does, however, capture the spirit of Halloween with zest and flair that never descends into gaudy self-indulgence. Modern songwriting movers and shakers Amanda Warner, Peter Wade, and

Ava Della Pietra’s “ego” is the latest effervescent pop gem from this budding singer/songwriter who brings the thorough discipline of the singer/songwriter art together with a modern and commercial sound. She challenges listeners early on with structural shifts as the track transitions from an evocative percussion and bass-driven intro with an effects-laden vocal into a

Some albums try endlessly to sound versatile in spirit, while others simply embody the essence of youth without even trying all that hard. In the case of Tim Raybon Band’s new record I Could Get Used To This, the latest release from powerhouse Tim Raybon, the latter applies more than the former does. In all ten

Diane Gentile & the Gentle Men is a New York City-based outfit with two prior collections to their credit. Their third release, The Bad and the Beautiful, promises to be the next logical rung up the ladder for this unit, and the creative center of the band, Gentile, has certainly upped her songwriting game with this

Guitar-oriented rock music outside of the underground has been seeing some serious interest from the mainstream for the better part of this year, and I don’t think it’s solely because of the disinterest in synthetic hip-hop and pop. While it’s true that people have been collectively missing the brash chest-pounding of a performance from something

Americana or “roots” releases can often be painfully predictable. It isn’t a terribly difficult style to master. There are countless discographies brimming with supposed nods to blues and classic country that check off all the boxes but, at the end of the collection, leave you with the distinct feeling you’ve just listened to someone going