Claire Uebelacker

The opening chapter of After the Masters – School of Velocity transforms classical inheritance into a thrilling collision of speed, emotion and modern musical imagination There is something audacious about asking what comes after the masters. For centuries, the piano has carried the fingerprints of composers and virtuosos who continually redefined what 88 keys could
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John Blaze of SCARECROW Leads an All-Star Night Featuring Hanz of Hazel Gaze and Paul Mahos of New Life Crisis on Halloween Night ROSLYN, NY — October 31, 2026 — This Halloween, the dead aren’t staying buried — they’re coming out to dance. Tilt Entertainment presents THE DEAD DANCE BALL, a full-throttle Halloween rock ’n’
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Something unusual is happening in the music business this week. While much of the industry remains focused on bigger catalogs, bigger streaming numbers and bigger audiences, FENIX360 is concentrating on the person who can sometimes get lost in all that scale: the artist. The Singapore-headquartered creator platform has launched “Streaming Reimagined,” a worldwide initiative built
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There’s something almost perverse about naming a song after seasonal misery, and to their credit, Ruby & Sasha commit to that discomfort rather than softening it into something more palatable. What strikes me most isn’t the topic; allergies as alienation are a clever enough conceit, but how stubbornly the track resists resolution. Whether that’s a
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Michael Dulin’s latest single, “On The Rocks,” is a reminder that great musicianship rarely needs to shout to make an impression. Instead of relying on flashy solos or overproduced arrangements, Dulin delivers a performance rooted in confidence, patience, and exceptional taste. Every note sounds intentional, allowing the composition to unfold naturally instead of forcing dramatic
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Danny Burns has built his reputation on finding the common ground between Irish folk traditions and American roots music, and with his new single “Fisherman’s Blues,” he taps directly into both sides of that musical heritage. The result is a stirring, high-energy bluegrass interpretation of a beloved song that feels simultaneously timeless and refreshingly current.
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There’s a particular kind of music that demands you surrender to it rather than simply press play. Embers, the latest release from New York-based guitarist and composer Ian C. Bouras, is exactly that kind of music. Clocking in at just over 50 minutes and presented as a single, unbroken piece of work; it refuses to be
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In an era when much of mainstream country music seems determined to either chase pop trends or romanticize small-town clichés, Jamie Richards continues to operate in a different lane altogether. His new single, “My Goings, What’s Coming,” the latest preview from his forthcoming album Blue Rock Sessions, doesn’t announce itself with stadium-sized hooks or larger-than-life swagger.
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With “Summer Before The Fall,” Bee Smith and Chris Chitsey deliver the kind of emotionally grounded country duet that feels increasingly rare in a streaming era dominated by disposable hooks and algorithm-chasing production. Built around classic storytelling, believable chemistry, and a slow-burning emotional premise, the single manages to sound both timeless and contemporary without trying
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Longevity in rock music usually comes with one of two outcomes: creative exhaustion or comfortable repetition. GO TIME! somehow avoid both on 11, an album that sounds neither burned out nor content to coast on habit. Instead, the Chicago veterans deliver a record full of sharp-edged power pop, scrappy garage-rock attitude, and the easy confidence
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There are questions most people avoid asking out loud—and then there is Howard Bloom, who runs straight toward them. Not to provoke, but to understand. Not to believe blindly, but to decode. Among his most daring intellectual pursuits lies one of humanity’s oldest and most controversial mysteries: the nature of God. But Bloom doesn’t approach
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Anour carries two cities inside her. Damascus gave her roots and Montreal gave her room to grow. Between those two worlds, she has built something harder to map, a body of work that refuses to sit still, hovering at the intersection of cinematic atmosphere and raw emotional honesty. Delicate, weightless vocals rest over moody electronic
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On the heels of their recent and deeply reflective interview, Sean Mendelson and Jason Mendelson re-emerge with a release that is as culturally meaningful as it is musically rich. Their latest project, arriving in conjunction with Record Store Day, is not merely an album—it is a carefully curated preservation of artistic heritage, an elegant continuation
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