Claire Uebelacker

“Let’s Find Out” is built on a deceptively simple idea: sometimes the most meaningful decision is choosing curiosity over caution. Alyson Faith’s latest single captures that moment with charm, clarity, and a breezy confidence that makes emotional risk feel inviting rather than intimidating. Co-written with Noel Cohen and produced by Oz Noy, the track thrives
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What makes Easy Come, Easy Go so impressive isn’t simply that it’s a beautifully performed bluegrass album—though it certainly is that. Rather, it’s the way The Burnett Sisters Band subtly stretch the edges of their genre without ever abandoning the core elements that earned them their IBMA recognition. Their blend of vocal chemistry, narrative smarts,
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Alex Lopez & ALX’s Retro Revival, set for release February 6, 2026, arrives poised to extend the guitarist-songwriter’s strong chart history and reinforce his position as one of contemporary blues-rock’s most reliable and evolving voices. After a decade of steady growth—highlighted by Rising Up reaching Billboard’s Top Ten and Nasty Crime topping the blues/rock radio
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American Drifter – by Jacob Jones, features eight thoughtfully written and produced country pieces with Jones giving a glimpse into his military life, after letting his sensitive side out on his previous EP Maverick. Now the plot thickens with songs about his real life and the military aspect which every track on American Drifter deals
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Aaron Poochigian’s “Four Walks in Central Park: A Poetic Guide to the Park” reads like a conversation between old friends—one of them being the city itself. Poochigian uses the park as both setting and subject, threading his way through its well-worn trails, monuments, and hidden corners with the kind of curiosity that never feels forced.
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Nashville based, Canadian born, Aaron Bucks, released a two-sided single of sorts, with two songs going on the forthcoming The Life Sessions LP to be released in 2026, and they both hit check all the right boxes and do the business to keep listeners looking forward to it. Bucks’ audience range from the Billboard charts
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Danny Burns has always straddled two worlds: the fiddle-laden pubs of Donegal and the mandolin-lit hollows of Appalachia. With Southern Sky, his new nine-track album released via Bonfire Music Group, he finally arrives at a place where those worlds don’t just meet—they collapse into each other. This is not simply another Americana record with a
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There’s a simple truth humming beneath Ashleigh Graham’s I’ll Just Drive: sometimes the strongest stories don’t come roaring out of the gate. Sometimes, they grow quietly in the spaces between work shifts, kids’ bedtime routines, and half-forgotten mandolins waiting by the door. This debut album is the sound of a life’s worth of stories finally
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