THE BEST OF THE LITERARY INTERNET
TODAY: In 1996, the musical Rent opens on Broadway.
- Who actually first said “Be the change want to see happen,” and what does it have to do with the clash between progressive activism and New Age spirituality? | Lit Hub Politics
- “When I meet new people, when they discover I wrote a book, when they ask what it’s about, I don’t know how to tell them.” Madeline Vosch on writing a memoir about suicide. | Lit Hub Memoir
- Leila Chatti considers on-screen depictions of pregnancy and IVF. | Lit Hub Film
- Ashanté M. Reese examines American food apartheid, the system of racialized inequality in access to food. | Lit Hub Food
- “Which is my mother tongue and which an other tongue?” How family history plays a part in language and translation. | Lit Hub On Translation
- Suzy Hansen on why “Turkey’s experience shows is that countries ostensibly democratic have much deeper autocratic or repressive underpinnings than they like to acknowledge.” | Lit Hub History
- The rock ‘n’ roll rise of John Cougar Mellencamp, a combative heartland leftist. | Lit Hub Music
- In honor of National Poetry Month, we think you should read one great poem today: Patricia Smith’s “10-Year-Old Shot Three Times But She’s Fine” | Lit Hub Poetry
- “The night of General Arnold’s party arrived, and Stansbury had gone all out. He needed the Patriots’ business, and I was to be a walking advertisement for his work.” Read from Emma Parry’s new novel, Mrs. Benedict Arnold. | Lit Hub Fiction
- “But the agent’s unique position between writer and publisher embodies the strategic alliances between art and commerce, form and finance, imagination and industry that has defined literary production in the twentieth and twenty-first centuries.” Laura B. McGrath considers the role of agents in the literary ecosystem. | Public Books
- Angelica Frey on science fiction and imagining the sounds of other worlds. | JSTOR Daily
- Tom Shapira revisits the early works of Alan Moore: “In comics people still thought in terms of Asimov and Heinlein, while Moore was hitting them with Samuel R. Delany and Philip K. Dick.” | The Comics Journal
- Amit Chaudhuri examines the art of Ljubodrag Andric. | The Point
- Vincenzo Latronico meditates on defining periods of life “based on the ebb and flow of my sleeplessness.” | The Yale Review
- “For all his characters’ cruelty, Jim Thompson was reluctant to employ pulp sensationalism merely to perversely affirm the dominant social order.” On Jim Thompson’s progressive, pulpy noir. | The Baffler
Article continues after advertisement