-
Victoria Gosling interrogates the legend of King Arthur: “Is Arthur why Britain, despite its history, continues to see itself as the good guy?” | Lit Hub Criticism
-
Wylie Dufresne on the fun, never-ending process of becoming a chef. | Lit Hub
-
Julie Schumacher on 30 years of correspondence with her late friend, Melissa Bank: “I feel the impulse to write to her when I see the coil of postage stamps on my desk, or when I read a book that I wish she could read.” | Lit Hub Memoir
-
How author Aimie K. Runyan found a new way to approach story for her “reluctant reader” children. | Lit Hub Parenting
-
Ann Patchett’s Tom Lake, Jamel Brinkley’s Witness, and Yepoka Yeebo’s Anansi’s Gold all feature among the Best Reviewed Books of the Week. | Book Marks
-
Peter Heller remembers his mother, a private investigator, and the first case she took on in the wilds of Connecticut. | CrimeReads
-
Henrietta Lacks’ family has settled their lawsuit with Thermo Fisher Scientific, which used her cells in their research without consent. | AP
-
Julia Poole bravely reads all five of Rush Limbaugh’s Rush Revere series, “a sanitized option for teaching fragile white kids history without hurting their feelings.” | The Baffler
-
Joyce Carol Oates on the prose fictions of Rachel Ingalls, which “famously resist description, let alone classification.” | Times Literary Supplement
-
“The book may be devoid of meat, but it’s by no means free of earthly indulgence.” Aimee Levitt on The Vegetarian Epicure. | Eater
-
“The 8th Note Press news seems more ominous coming at a time of declining book sales, publishing layoffs, and crumbling social platforms.” Tajja Isen on TikTok’s new publishing venture. | The Walrus
-
Grace Lavery writes about three recent books from the “gender critical” movement. | Los Angeles Review of Books
-
“Short of abandoning the genre altogether, as Shields recommended in 2010, today a novel ought to help save the world.” Jessi Jezewska Stevens on “post-postfiction.” | The Point
-
Greta Rainbow looks at the gamification of reading at the beige books site. | Shondaland
-
“I think the publishing industry has an obsession with newness.” Imogen West-Knights spoke to Irish writers Megan Nolan, Naoise Dolan, and Nicole Flattery about their “difficult second books.” | The New York Times
-
What happens when you ask AI to create fairy tale art? | Orion
-
“Perseverance is the prerequisite of all creativity. And pig-headedness, the determination to outride public neglect.” Jeremy Cooper on the perks of being an older writer. | The Bookseller
-
What should you read (and watch) after Oppenheimer? | GQ
-
Alejandro Chacoff considers how María Kodama’s fierce loyalty has shaped the legacy of her late husband, Jorge Luis Borges (tr. Jessica Sequeira). | The Dial
-
“I think post-2020 in general, people are reimagining power structures and how they might contribute something in a way that they might not have thought about before.” Chelsea Hodson discusses her new press, Rose Books. | Nylon
-
A.S. Hamrah considers the Mission: Impossible franchise. | NYRB
Also on Lit Hub:
Ann Patchett on grabbing galleys and getting drafts done • Lucy Scholes revisits Caroline Blackwood’s Great Granny Webster • On the sly language of climate change denialism • Pankaj Mishra considers the mesmerizing present of Amit Chaudhuri’s The Immortals • Inside the world of bodybuilding • How exile allowed Shastri Akella to write a queer novel • Michelle Wildgen extols the joys of food-centered fiction • Mindy Mejia litsplains physics • Rebecca Sacks reflects on fictionalizing her love story with an Israeli solider • When the Beatles found their voice • Insights into structuring the strange • J. Vanessa Lyon on finding inspiration in the photography of James Van Der Zee • Jamel Brinkley on his writing practice, favorite books, and more • Tamara Saade remembers the Beirut Port explosion, three years later • On the women aviators who helped win World War II • What Shane McCrae is reading now and next • A reading list of books where pets steal the show • Enacting the transness of Virginia Woolf’s Orlando • Adrian Tomine on the delight of collaborating on the Shortcomings film adaptation • Madeline Ashby revisits G. K. Chesterton’s The Napoleon of Notting Hill • On the pleasure of unexpected translations